During my (some might say) short duration spent behind the stoves, the dining scene has evolved tremendously, and “The Chef” is no longer permitted to hide behind the double swinging doors of a frantic heated kitchen. Simply creating marvellous gastronomic delights these days is just not enough to keep the most discerning customers satisfied and entertained.
This is where I feel the dining landscape has evolved and that chefs today need to embrace social media all the more. After all, almost all our diners take pictures before tasting, smelling or discussing the food – and I appreciate that. To me, it is a testament to the appreciation of the beauty in each dish.
I began using Instagram in July 2014. What started out as a platform for me to document my dishes has now turned into a space where people from all over the world can take a step inside my kitchen. Likewise, I am also able to take a peek into the daily happenings of other Chefs like Sean Macdonald, Ryan Clift and Simon Rogan to name a few.
With the rising trend of dining out, along with the strong influence of social media, consumers of today have access to an ocean of information as to how good food should potentially taste; thus creating pre-dining expectations before even entering the restaurant.
As social media has become a big part of most guests’ experiences, I try to evoke their senses and create an emotional connection, allowing them to capture and share that unique experience on their social media platforms.
From my personal approach, diner’s expectations of all kinds of cuisines are constantly on the rise. I like to understand what diners enjoy and conceptualise dishes that ultimately connect with them. I have been trained in classic French techniques but have introduced my English sensibilities to each dining experience that I create. This is made possible through drawing on personal inspirations and experiences in my culinary career.
My cooking style is always purposeful; there is a thoughtful reason for every element that I place on the plate.