Dining In 3 minutes 24 July 2019

Technique Thursday: Chinese-style Smoking

Smoking heated tea leaves or wood shavings imparts colour, aroma and fragrance to ingredients and is one of the techniques of Chinese cuisine.

Smoking refers to the cooking technique in which food is cured by treating with smoke. In the ancient times, this was a method to preserve foods for a longer period. As hot smoke drives most of the moisture out from food ingredients, it also effectively kills bacteria and extends their shelf life.
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“To survive the hostile winter, the Northerners [in China] in the past would smoke the meat. They hung cured meat in the kitchen and at the same time burned wood on the stove, using the smoke to preserve the meat,” says head chef Sze Chiu-kwan of Dong Lai Shun (Pic: Dong Lai Shun), a MICHELIN-Plate restaurant in Hong Kong.

Fast forward to the Qing Dynasty: smoking was no longer seen as just a preservation technique, but also a way of cooking. Smoked egg is featured in the great gastronomic literature of the era, Recipes From The Garden Of Contentment. The book explains the technique as such: “Cook the egg with the desired ingredients and allow it to dry slowly in the smoke. Slice it and put it on a plate to serve.”

In modern times, smoking is so much more than just keeping meat edible. It adds a unique fragrance to food for our enjoyment.
Smoking is a technique shared by Chinese and Western cuisines, but they take different paths to achieve the same goal. In Western cooking, chefs usually set a tube connected to a smoking gun inside a sealed container. The smoke emitted from burnt wood would perfume and season the food. In comparison, Chinese smoking is done through a wok. In a heated and closed environment, smoke exudes from the smoking agent and works its magic so that the ingredients on top take on a special colour, smell and flavour.
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Finding A Unique Blend Of Burning Material

In smoking, the burning materials play the most vital part. In Chinese cuisine, they usually consist of tea leaves, sugar and rice: tea and rice for their fragrance and sugar for the caramelising effect on the food. In addition, Sze adds flour and cornstarch. (Pic: Ada Au)

“Sugar sticks to the wok tightly when it melts. Having flour and cornstarch there means the melted sugar would stick onto them instead, which makes cleaning easier,” he said.

Sze thinks any type of tea works in smoking. His personal favourites are longjing and pu’er. “Longjing is lighter in flavour and colour, which is more suitable for seafood. Pu’er is an ideal option for meat. It tastes stronger. After smoking, the food turns into a deeper colour too.”

There are chefs who prefer other black teas, rose tea and jasmine tea. Apart from tea, wood is frequently chosen as well. Lychee wood, apple wood and camphor wood are all popular among Chinese cooks. They give out a more intense smell than tea. The biggest challenges are finding high-quality wood and a longer smoking time needed compared to using tea. Sze works with wood in his kitchen, but he also puts tea and dry leaves into the mix to enrich the fragrance of the smoke.

Smoked egg is made first by steeping the egg in master stock to colour its surface. It gets another shade darker through smoking with longjing and other materials. The caramelised skin is a big appeal of the dish. (Pic: Dong Lai Shun)
Smoked egg is made first by steeping the egg in master stock to colour its surface. It gets another shade darker through smoking with longjing and other materials. The caramelised skin is a big appeal of the dish. (Pic: Dong Lai Shun)

Two Types Of Smoking

There are two ways of smoking food in Chinese cuisine. The raw smoking technique applies to dishes such as camphor wood-smoked duck. After blanching, the duck is brushed with malt sugar water and air-dried. This is followed by 45 minutes of roasting in a vertical, cylindrical roaster with camphor wood shavings, pu’er tea, dried camphor leaves, sugar and flour. Sze goes with the ratio of two parts camphor wood and one part pu’er.

“Camphor wood-roasted duck is distinguished by the camphor wood aroma. If we use equal amounts of camphor wood and pu’er, the two burning agents would compete with one another and the taste of camphor wood would be lost,” Sze pointed out. It is a flawless pairing, as the scent of camphor wood complements the duck perfectly.

More common is the mature smoking method. In short, it is to smoke cooked food with burning materials, essentially a final push to elevate the appearance and flavour of the dish. Take smoked egg as an example, Sze combines longjing tea, sugar, puffed rice, flour and cornstarch inside a wok. On top of them, he adds a steaming rack and lays some spring onion and cooked eggs above it. The eggs are then smoked in the covered wok for a few minutes before it is served.

It is crucial to uncover the wok and turn off the heat when yellow smoke flows out, as the excessive smoke would add a bitter taste to the dish. (Pic: Ada Au)
It is crucial to uncover the wok and turn off the heat when yellow smoke flows out, as the excessive smoke would add a bitter taste to the dish. (Pic: Ada Au)

Timing And Temperature Are Key

Controlling time and temperature is the key to success. Smoking must start on medium heat. As white smoke is visible, immediately turn the heat to low. When the smoke becomes yellow, uncover the wok to release the smoke, then cover it again and turn off the heat.

“High heat, smoking overtime, generating too much yellow smoke and letting the yellow smoke stay for too long are all conditions that expose the dish to more smoke than necessary and make it bitter,” Sze said, adding that the ingredients are best held on a steaming rack or a stainless steel plate. Direct contact to the smoking agent would also give them a bitter taste. Many people believe smoking is only appropriate to poultry and seafood, but Sze says that every ingredient can benefit from a dose of aromatic smoke.

“Some feel smoked dishes have a stronger taste. In fact, if it is executed in the right way, smoking could bring great character to a dish.”


This story is written by Ada Au and translated by Vincent Leung. Click here to read the original article.

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